The slo-mo gets rinsed, and while it was visually impressive in the first film, the novelty of it soon wears off here.Ĭoupled with the ear-splitting score it makes for dramatic viewing, but it’s the bits in between – the talky, plot development bits – that let Rise of an Empire down. ![]() This isn’t a world steeped in reality and accordingly everyone looks like a god: bronzed bodies, milk-skinned women and Xerxes in all his golden, Accessorized splendour.Īction scenes move along at a fair old lick, the camera whizzing its way around, settling on a scuffle just long enough to see someone get stabbed in the face. There’s probably more blood and limbs splattering onto the screen than dialogue, and aside from a dodgy shot of Themistokles ( Strike Back’s Sullivan Stapleton, somewhat dead-eyed) riding a horse across a splintering ship, everything looks glossy and seamless. Set alongside the events of Zack Snyder’s 2006 movie, the sequel to 300 focuses on Greek general Thermistokles as he tries to take down Persian forces led by god Xerxes and his right hand woman Artemisia.ģ00: Rise of an Empire continues the ultra violence and stylised visual effects that made 300 great.
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